{"id":93,"date":"2026-08-13T13:08:56","date_gmt":"2026-08-13T10:08:56","guid":{"rendered":"https:\/\/moddaturkey.com\/haberler\/?p=93"},"modified":"2026-08-13T13:08:56","modified_gmt":"2026-08-13T10:08:56","slug":"caykovskinin-findikkiranina-cagdas-bir-yorum-findikkiran-bu-bir-masal-degil-istanbulda","status":"publish","type":"post","link":"https:\/\/moddaturkey.com\/haberler\/?p=93","title":{"rendered":"\u00c7aykovski\u2019nin F\u0131nd\u0131kk\u0131ran\u2019\u0131na \u00c7a\u011fda\u015f Bir Yorum \u201cF\u0131nd\u0131kk\u0131ran: Bu Bir Masal De\u011fil\u201d \u0130stanbul\u2019da"},"content":{"rendered":"\n

Art Seasons organizasyonuyla \u0130stanbul\u2019a gelen Novaya Opera \/ Balet Moskva\u2019n\u0131n \u00e7a\u011fda\u015f <\/strong>bale prod\u00fcksiyonu <\/strong>\u201cF\u0131nd\u0131<\/strong>kk\u0131ran: Bu Bir Masal De\u011fil\u201d, 11-12 Eyl\u00fcl\u2019de Atat\u00fcrk K\u00fclt\u00fcr Merkezi\u2019nde (AKM) sahnelenecek. Alt\u0131n Maske <\/strong>\u00f6d\u00fcll\u00fc koreograf Pavel Glukhov\u2019un klasik F\u0131nd\u0131<\/strong>kk\u0131ran anlat\u0131s\u0131n\u0131 I. D\u00fcnya Sava\u015f\u0131\u2019n\u0131n g<\/strong>\u00f6lgesinde yeniden yorumlad\u0131\u011f\u0131 yap\u0131m; \u00c7aykovski\u2019nin m\u00fczi\u011f<\/strong>ini, a\u015fk, travma, haf\u0131za ve iyile\u015fme \u00fczerine bamba\u015fka bir hik\u00e2yeyle bulu\u015fturuyor. \u00c7aykovski\u2019nin eserinin Partisyon Novaya Opera Orkestras\u0131 taraf\u0131ndan kesintisiz \u00e7al\u0131naca\u011f\u0131 g\u00f6steride yine orkestran\u0131n klasik m\u00fczikseverlere \u00f6zel bir s\u00fcprizi var.<\/strong><\/p>\n\n\n\n

Bol\u015foy Tiyatrosu\u2019nun Romeo ve Juliet<\/em> ve Ku\u011fu G<\/em>\u00f6l\u00fc<\/em> prod\u00fcksiyonlar\u0131n\u0131 \u0130stanbul seyircisiyle bulu\u015fturan Art Seasons<\/strong>, bu kez Moskova\u2019n\u0131n k\u00f6kl\u00fc sanat topluluklar\u0131ndan Novaya Opera \/ Balet Moskva\u2019y\u0131<\/strong> \u0130stanbul\u2019a getiriyor. 35 y\u0131ll\u0131k ge\u00e7mi\u015fe sahip topluluk, klasik repertuvar\u0131 \u00e7a\u011fda\u015f sanat\u0131n yeni disiplinleriyle bulu\u015fturan prod\u00fcksiyonlar\u0131yla tan\u0131n\u0131yor.<\/p>\n\n\n\n

Ge\u00e7ti\u011fimiz \u015fubat ay\u0131nda Moskova\u2019da pr\u00f6miyerini yapan \u201cF\u0131nd\u0131<\/strong>kk\u0131ran: Bu Bir Masal De\u011fil\u201d <\/strong>(The Nutcracker. Not a Fairytale)<\/strong>, \u00c7aykovski\u2019nin d\u00fcnyaca \u00fcnl\u00fc eserine al\u0131\u015f\u0131lm\u0131\u015f\u0131n d\u0131\u015f\u0131nda bir perspektiften yakla\u015f\u0131yor. Eserin m\u00fczi\u011fi herhangi bir kesinti ya da tempo de\u011fi\u015fikli\u011fi yap\u0131lmadan canl\u0131 olarak seslendirilirken, topluluk ayn\u0131 zamanda dans ekibi ile ayn\u0131 sahneyi payla\u015f\u0131yor ve sahne tasar\u0131m\u0131nda meydandaki ger\u00e7ek bir orkestra olarak konumlan\u0131yor. <\/p>\n\n\n\n

Bir masaldan de\u011fil, bir askerin haf\u0131zas\u0131ndan<\/strong><\/p>\n\n\n\n

Pavel Glukhov ve Tatyana Belova taraf\u0131ndan kaleme al\u0131nan libretto, I. D\u00fcnya Sava\u015f\u0131\u2019na giden ve sava\u015ftan sa\u011f d\u00f6nmesine ra\u011fmen ya\u015fad\u0131klar\u0131n\u0131n izlerini ta\u015f\u0131yan gen\u00e7 asker Nataniel\u2019in<\/strong> hik\u00e2yesini merkezine al\u0131yor.<\/p>\n\n\n\n

Ge\u00e7mi\u015fin an\u0131lar\u0131 aras\u0131nda ya\u015fayan Nataniel\u2019in haf\u0131zas\u0131n\u0131 takip eden izleyici; bir oyuncak bebek ustas\u0131n\u0131n at\u00f6lyesinden Noel i\u00e7in s\u00fcslenmi\u015f bir Frans\u0131z kasabas\u0131n\u0131n meydan\u0131na, oradan da sava\u015f meydan\u0131na uzanan bir yolculu\u011fa \u00e7\u0131k\u0131yor. Sava\u015f\u0131n g\u00f6lgesinde ya\u015fama sevincini ve ilk a\u015fk\u0131n heyecan\u0131n\u0131 kaybeden Nataniel\u2019in yeniden hayata ba\u011flanmas\u0131nda ise sevgilisi Clara\u2019n\u0131n sevgisi<\/strong> belirleyici oluyor.<\/p>\n\n\n\n

Ge\u00e7mi\u015f ile bug\u00fcn\u00fcn, an\u0131lar ile d\u00fc\u015flerin i\u00e7 i\u00e7e ge\u00e7ti\u011fi yap\u0131m, F\u0131nd\u0131kk\u0131ran\u2019\u0131n bilinen masal d\u00fcnyas\u0131n\u0131 bu kez insan\u0131n ya\u015fad\u0131\u011f\u0131 travmayla, haf\u0131zayla ve a\u015fk\u0131n iyile\u015ftirici g\u00fcc\u00fcyle ili\u015fkilendiriyor.<\/p>\n\n\n\n

Hik\u00e2yenin d<\/strong>\u00f6n\u00fc\u015f\u00fcm\u00fc sahneye de yans\u0131yor<\/strong><\/p>\n\n\n\n

\u0130ki perde, bir prolog ve bir epilogdan olu\u015fan yap\u0131mda Pavel Glukhov, \u00e7a\u011fda\u015f dans\u0131n anlat\u0131m olanaklar\u0131ndan yararlanarak Nataniel\u2019in psikolojik d\u00f6n\u00fc\u015f\u00fcm\u00fcn\u00fc koreografiye ta\u015f\u0131yor.<\/p>\n\n\n\n

Bu d\u00f6n\u00fc\u015f\u00fcm prod\u00fcksiyonun g\u00f6rsel d\u00fcnyas\u0131nda da kar\u015f\u0131l\u0131k buluyor. Larisa Lomakina\u2019n\u0131n<\/strong> sahne tasar\u0131m\u0131 ge\u00e7mi\u015f ile bug\u00fcn\u00fc, an\u0131lar ile d\u00fc\u015fleri bir araya getirirken; Svetlana Tegin\u2019in<\/strong> kost\u00fcm tasar\u0131m\u0131nda ba\u015flang\u0131\u00e7taki eski foto\u011fraflar\u0131 \u00e7a\u011fr\u0131\u015ft\u0131ran sepya tonlar\u0131, hik\u00e2ye ilerledik\u00e7e yerini bahar\u0131n canl\u0131 renklerine b\u0131rak\u0131yor.<\/p>\n\n\n\n

Alt\u0131n Maske <\/strong>\u00f6d\u00fcll\u00fc Pavel Glukhov\u2019un imzas\u0131yla<\/strong><\/p>\n\n\n\n

Rus \u00e7a\u011fda\u015f dans\u0131n\u0131n \u00f6nde gelen isimlerinden Pavel Glukhov<\/strong>, dans\u00e7\u0131 olarak ba\u015flad\u0131\u011f\u0131 kariyerinin ard\u0131ndan d\u00fcnyaca \u00fcnl\u00fc Mikhail Lavrovsky ile koreografi e\u011fitimi ald\u0131. S\u00f6zlere ihtiya\u00e7 duymadan g\u00fc\u00e7l\u00fc psikolojik karakterler yaratmas\u0131yla tan\u0131nan Glukhov, 2022 y\u0131l\u0131nda Alt\u0131n Maske \u00d6d\u00fcl\u00fc\u2019nde Y\u0131l\u0131<\/strong>n En \u0130yi Koreograf\u0131<\/strong> se\u00e7ildi. Glukhov ayn\u0131 zamanda Diana Vishneva. Context \u00c7a\u011fda\u015f Dans Festivali\u2019nin k\u00fcrat\u00f6rl\u00fc\u011f\u00fcn\u00fc y\u00fcr\u00fct\u00fcyor.<\/p>\n\n\n\n

Rus ele\u015ftirmenlerden tam not ald\u0131!<\/strong><\/p>\n\n\n\n

Eser Rusya\u2019da sahnelenmeye ba\u015flad\u0131ktan sonra man\u015fetlerde yer ald\u0131. \u201cKommersant: sansasyon olaca\u011f\u0131 s\u00f6yleniyordu, oldu.  ClassicalMusicNews: Sezonun deniz feneri olan bir g\u00f6steri\u201d ba\u015fl\u0131klar\u0131 atarken, Stsena\u2019da Andrey Galkin ayr\u0131nt\u0131l\u0131 bir analiz yay\u0131mlad\u0131. Moskova\u2019da 2026 biletleri sat\u0131\u015fa \u00e7\u0131kan ve \u015fimdiden yo\u011fun ilgi g\u00f6ren \u201cF\u0131nd\u0131<\/strong>kk\u0131ran: Bu Bir Masal De\u011fil\u201d, <\/strong> \u015fimdiden kal\u0131c\u0131 eserler aras\u0131nda yerini ald\u0131. <\/p>\n\n\n\n

Biletler<\/strong>: <\/strong>https:\/\/akmistanbul.gov.tr\/tr\/etkinlik\/findikkiran-bu-bir-masal-degil<\/strong><\/a>.<\/strong><\/p>\n\n\n\n

Tarih:<\/strong> 11-12 Eyl\u00fcl 2026
Yer:<\/strong> Atat\u00fcrk K\u00fclt\u00fcr Merkezi (AKM), \u0130stanbul
 <\/p>\n\n\n\n

Koreograf ve Y<\/strong>\u00f6netmen:<\/strong> Pavel Glukhov
M\u00fczik Direkt<\/strong>\u00f6r\u00fc ve Orkestra \u015e<\/strong>efi:<\/strong> Anton Torbeev
 Libretto:<\/strong> Pavel Glukhov ve Tatyana Belova
 Sahne Tasar\u0131m\u0131:<\/strong> Larisa Lomakina
 Kost\u00fcm Tasar\u0131m\u0131:<\/strong> Svetlana Tegin
I\u015f\u0131k Tasar\u0131m\u0131:<\/strong> Tatyana Mishina ve Andrey Kostyuchenkov
 Video Tasar\u0131m\u0131:<\/strong> Alexey Bychkov<\/p>\n","protected":false},"excerpt":{"rendered":"

Art Seasons organizasyonuyla \u0130stanbul\u2019a gelen Novaya Opera \/ Balet Moskva\u2019n\u0131n \u00e7a\u011fda\u015f bale prod\u00fcksiyonu \u201cF\u0131nd\u0131kk\u0131ran: Bu Bir Masal De\u011fil\u201d, 11-12 Eyl\u00fcl\u2019de Atat\u00fcrk K\u00fclt\u00fcr Merkezi\u2019nde (AKM) sahnelenecek. Alt\u0131n Maske \u00f6d\u00fcll\u00fc koreograf Pavel Glukhov\u2019un klasik F\u0131nd\u0131kk\u0131ran…<\/p>\n","protected":false},"author":1,"featured_media":94,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-93","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat"],"_links":{"self":[{"href":"https:\/\/moddaturkey.com\/haberler\/index.php?rest_route=\/wp\/v2\/posts\/93","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/moddaturkey.com\/haberler\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/moddaturkey.com\/haberler\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/moddaturkey.com\/haberler\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/moddaturkey.com\/haberler\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=93"}],"version-history":[{"count":1,"href":"https:\/\/moddaturkey.com\/haberler\/index.php?rest_route=\/wp\/v2\/posts\/93\/revisions"}],"predecessor-version":[{"id":95,"href":"https:\/\/moddaturkey.com\/haberler\/index.php?rest_route=\/wp\/v2\/posts\/93\/revisions\/95"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/moddaturkey.com\/haberler\/index.php?rest_route=\/wp\/v2\/media\/94"}],"wp:attachment":[{"href":"https:\/\/moddaturkey.com\/haberler\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=93"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/moddaturkey.com\/haberler\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=93"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/moddaturkey.com\/haberler\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=93"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}